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Changing Skyline: Retail magic is missing from South Kensington lofts proposal

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Source: Philadelphia Inquirer
By Inga Saffron, Inquirer Architecture Critic
April 27, 2013

On paper, the proposed Soko Lofts project promises to do for its South Kensington neighborhood what the Piazza at Schmidts did for Northern Liberties. Like its paradigm-shifting predecessor two blocks south, Soko Lofts would rim its large block with a dense array of mid-rise apartment buildings, smartly broken up into manageable segments. The spaces between the buildings would become passageways, beckoning the public into a landscaped interior courtyard.

It is a pretty good plan, but it is no Piazza.

For all its effort to replicate the Piazza’s first-rate urbanism, Soko Lofts misses the crucial lesson of that project. The Piazza packed its ground floor with shops, galleries, and eateries, especially along its primary frontage on Second Street. Though not all have succeeded, their presence tied the Piazza into the neighborhood. They made what was just another behemoth residential development into a real urban place.

At Soko, the buildings – bounded by Second, Thompson, Master, and American Streets – would be punctuated by a few token retail spaces. The rest would be long stretches of dullness. And American Street, which should be Soko’s front door, would be the dullest.

Soko’s developer, Canus Corp., envisions a seven-story apartment building there. It would be raised on stilts so a parking lot can be inserted at street level. Two wide driveways would further break up the American Street frontage, destroying any hope that the former industrial corridor could evolve into a walkable, residential boulevard. It is not a good start for South Kensington 2.0.

Philadelphia’s new Civic Design Review committee – a product of the revamped zoning code – meets May 7 to discuss the project, and it has a chance to make Soko better. But will it try? Canus’ owner, Paul Rabinovitch, is quick with an excuse for every design mistake, and the committee has so far not demonstrated that it has the moxie to stand up to a strong-willed applicant.

To be fair, Rabinovitch isn’t one of those my-way-or-the-highway types. After neighbors from South Kensington Community Partners complained about the initial design, he sent his architects, Barton Partners of Norristown, back to the drawing board.

Their second version was a big improvement. They started by breaking down the immense scale of the 2.7-acre site. A pedestrian street now bisects the block, connecting American and Second Streets and providing easy access to the interior courtyard.

In response to neighbors’ concerns about the lack of ground-floor activities, Barton added more lobby entrances for the Second Street apartments. They beefed up American Street somewhat by bracketing the building with retail space. Although some residents still had concerns about the streetscape, the neighborhood group signed off on the project.

That doesn’t mean the Design Review Committee should rubber-stamp the neighborhood decision. With 320 units spread over a full city block, Soko Lofts could radically transform the tattered, postindustrial streets of South Kensington. American Street has the potential to become the neighborhood’s main thoroughfare.

It may not seem that way right now. Once lined with factories, American Street is now pocked with empty lots, partly as a result of 20 years of failed city policy to rekindle its manufacturing glory.

Yet Rabinovitch is concerned that there is too much industry on American Street. His site now faces a small food processor, a furniture maker, and a glass supplier. That’s his argument for putting cars, instead of people, on the ground floor. Philly.com>

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Envisage

uarts-envisage
  • April 24th - April 27th
  • Reception: April 26th, 2013 6-9pm
  • Icebox
  • Wed- Sat 12 – 6 pm
  • Free & Open To The Public

Envisage is a collection of selected works from the 2013 Graduates of the University of the Arts Photography Program. This exhibit highlights thesis work, and has allowed the students involved to work together in creating a professional off-campus exhibition.

More Info: http://envisagephotoexhibition.tumblr.com

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Daniel Hughes: Stand Your Ground

danhughesfinal
  • April 11th- May 7th 2013
  • Reception: Second Thursday, April 11th, 6-9pm
  • Archive Space
  • Wed-Sat 12-6PM
  • Free & Open To The Public

Today, pop culture and media are instantly available and just as instantly forgettable.  The work I create is heavily influenced by nostalgia, from my own life and others.  As Jean-Luc Godard said: “It’s not where you take things from – it’s where you take them to.”  While creating this body of work, I challenged myself and stepped outside the process I normally use to create images. I applied my personal filter to each pop culture icon, rather than creating new characters. I also worked in a medium that is less forgiving, allowing for more spontaneity within my mark making. 

Growing up in a traditional suburban area, my sources of anger remained very minimal. Gaining a wider perspective of the world in an urban setting opened my eyes to new environments that, at times, sparked anger.  These paintings are portraits of individuals and musicians who share that emotional reaction to the world serving as a catalyst and inspiration for me to focus it into producing art.
Daniel Hughes is an Illustrator and printmaker living and working in Kensington, Philadelphia.  He received a BFA from the University of the Arts in Illustration.

More Info: http://danielhughesillustration.com/

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Manufacturing A Good Time

Original Article @ Hidden City
MARCH 18, 2013
THERESA STIGALE

8409297435_49baa142d0_o-2 Photo: Theresa Stigale

The Crane Plumbing Company imported cast iron tubs from Trenton, NJ by train and stored them on site to be distributed throughout the greater Philadelphia area. The event space known as the Icebox was an open train shed with penetrations for train deliveries. The name Icebox came into use after the Crane company left, when the building housed a seafood company and the products were flash frozen there, in a rebuilt space for that purpose. In the 1960s Random shrimp shells could be found even on the upper floors. The space is now used for weddings, and most notably for benefit art auctions by InLiquid, the arts collective located on an upper floor of the Crane Building. An outside building was used as another distribution center in 1906. In the courtyard, Crane co-developer and Temple University art professor Nicholas Kripal uncovered a sea of Belguim blocks, and used recycled those historic stones to pave the lot.

DSC7163 Photo: Theresa Stigale

The White Space. One block to the east of the Crane Arts, the skyline is dominated by the prominent twin spires of St. Michael’s Church, founded in 1831. In 2011, a development team, including Nicholas Kripal, bought the school adjacent to the church and created art studios and a sunny, flexible open space for performances, exhibits and gatherings, known as The White Space.

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Systematic Devotion

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  • April 10th-27th 2013
  • Second Thursday Opening: April 11th 6-9:30
  • Gallery 102
  • Wed-Fri 12-6 Sat 12-5
  • Free & Open To The Public

Candace Karch, artist, curator and formally of Bambi Art Gallery along with John Margraff 2nd, curator and chef of the authentic Salon Margraff in Santa Fe, New Mexico, are lifelong friends. Their simpatico philosophies lead them to Painter, Diane McGregor, Metal Smith, Ken Derengowski, and mixed media artists, Madelin Coit, Joseph leroux, Jennifer Joseph and Chis Collins.

“Systematic Devotion” defines how six artists communicate method, placement and discipline in the world.

Madelin Coit applies raw material- mesh, chicken wire, and insulation to create an order and continuity in aesthetic and intention. Depending on how each piece is lit, shadows from the density and transparency of her materials create another appearance. Diane McGregor’s work is an exercise in a repetition of the grid. These process-driven abstractions reference patterns of order and randomness in nature. Jennifer Joseph and Chris Collins are exhibiting the installation “The Rapture Project”. This piece began during a conversation about the end of time. The included works on paper are shot, and intentionally aimed, with a 40 caliber Glock. Ensuing bullet holes are gilded 24K gold referring to a swarm of 24k gold bullets on the floor. Joseph Leroux’s new installation contains manipulations of iconic images and objects through repetitive processes that alter the surface, color and texture. Interactions between the objects and images expose narratives of conflicting states of hostility, vulnerability and empowerment stemming from a personal societal experience. Each component within this work plays a part within a larger narrative. Parts of this piece have been pre fabricated, but the entirety of the work remains to be seen until it’s completed in the space. Ken Derengowski’s is a metal smith. The gemstone known as a diamond has captured humanity for thousands of years. His installation, “Manufactured”, made of discarded McDonald’s French fry boxes, are meticulously folded into diamond shapes, and hung with such precision, like he has cut the diamonds himself. The awe and sparkle in recycled paper is reflected as if it were the history of a real diamond.

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Kevin McWilliams: Portraits

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  • March 14th- April 8th 2013
  • Second Thursday: March 14th, 6-9pm
  • Archive Space
  • Wed-Sat 12PM-6PM
  • Free & Open To The Public

These photographs represent my everyday encounters and interactions with my peers. They are a collection that has grown throughout my life and is continuously changing. It is a hard-copy of my life. This documentary style started as a personal collection and has evolved into personal and candid moments that would have otherwise gone unrecorded.

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InLiquid presents Darla Jackson: All’s fair…

darlajackson
  • March 13 - April 27, 2013
  • Second Thursday receptions: March 14 and April 11, 6 - 9pm
  • The Hall
  • Wed-Sat, 12-6pm
  • Free & Open To The Public

Darla Jackson is most notably recognized for her animal sculptures and installations that have been seen infiltrating spaces throughout Philadelphia. Her past exhibitions include While you were out… at the Philadelphia Art Alliance, Anatomy Now at the Pennsylvania Academy of the Fine Arts, My Dog Speaks at Seraphin Gallery, and On the Rise at the Gallery at Art in City Hall.

“All’s fair…in love and war. And at times those two very different things feel like they are one and the same. Words can become both weapons and trophies. They are collected and saved, cataloged like rare specimens… Some people stockpile them to be used again one day, and others just go over them again and again, trying to figure out where things went wrong…” 
-Darla Jackson

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low rumble

lowrumble_posterFINAL
  • March 13-29, 2013
  • Opening Reception: March 14th, 6-9pm / Closing Reception: March 29th, 6-9pm
  • Gallery 102
  • Wed-Sat 12PM-6PM
  • Free & Opent To The Public

Laure-Hélène Caseau, John Emison, Raphael Fenton-Spaid, Alex Ibsen, Jebney Lewis, Tiffany Livingston, Mark Martinez, Kaitlin McDonough, Jonathan Ryan, Theresa Sterner, Misha Wyllie

The MFA 2014 candidates of the Painting, Drawing and Sculpture Department at Tyler School of Art are pleased to present the group exhibition low rumble. The project was organized by the eleven participating artists with exhibition design by Christian Tomaszewski.

low rumble is a van full of emerging artists brought together by graduate school. It is a celebration of individual practices with the hope that there will be enough conversation to make the drive home enjoyable. Luckily we have some books on tape:

I no longer know that in my apartment there are walls, and that if there weren’t any walls, there would be no apartment. The wall is no longer what delimits and defines the place where I live, that which supports it from the other places where other people live, it is nothing more than a support for the picture.[1]

The publication low rumble 2013 will accompany the exhibition. Neither roadmap nor user manual, the book offers a circuitous detour through the exhibition and lasting memento of the project. Copies will be available at the opening and closing receptions and by request.­­

More Info: tylermfa.com

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UN-DRAWN

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  • MARCH 14TH-MAY 17TH, 2013
  • OPENING RECEPTION: THURSDAY, MARCH 14TH, 6-9PM
  • Philadelphia Photo Arts Center
  • Tuesday -Thursday 12-8pm + Friday - Saturday 12-6pm
  • Free & Open To The Public

PPAC is pleased to announce Un-drawn, a group exhibition presenting the work of J Carrier, Richard Mosse, Xaviera Simmons and David Taylor. Un-drawn offers 4 distinct perspectives on displacement and immigration from multiple locations across the globe. Collectively, they address how invisible or contested borders are revealed through images of the landscape, it’s inhabitants and the spaces or monuments in between the two. The images in this exhibition depict exile and migration, conflict and defeat, permeated by the desire to reveal a new understanding of place.

Photographs of vividly beautiful land marred by conflict are juxtaposed with an understated narrative about migration and yearning set throughout Israel and the West Bank. Images of US/Mexico border monuments are juxtaposed with a wall-sized grid of over thirty found photographs, appropriated from news sources depicting migrants afloat in the open sea. Un-drawn presents a series of works that are connected through their depiction of displacement and tensions felt, but unseen.

More Info: http://www.philaphotoarts.org/category/exhibitions/

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ahem: Tyler School of Art 2013 MFA Candidate Exhibition

Ahem-Image-LR
  • March 6th-16th, 2013
  • Receptions (6-9pm): Saturday, March 9 + Thursday, March 14
  • Icebox
  • Wednesday-Saturday, noon-6pm
  • Free & Open To The Public

Please join us for ahem, a group exhibition of the Tyler School of Art 2013 MFA Candidates. This juried show, curated by Rebecca Michaels, Christian Tomaszewski, and Adele Nelson, features recent works by thirty artists in Tyler School of Art’s nine MFA programs: Ceramics, Fibers and Material Studies, Glass, Graphic and Interactive Design, Metals/Jewelry/CAD-CAM, Painting, Photography, Printmaking, and Sculpture. ahem showcases the diversity of vision, technique, and style generated by these emerging artists.

The exhibition is accompanied by a catalog, which is the culmination of a semester-long effort between graduate students in the art history department and MFA candidates to engage in discussion and exchange critical dialogue. The catalog features essays on each of the exhibiting aritsts, written by sixteen art historians.

ahem will be on view at Crane Arts Ice Box from March 6th-16th, 2013, with an Opening Reception on Saturday March 9th from 6-9 pm, and a Second Thursday Reception on Thursday March 14th, 6-9pm.

More info: tylermfa.com + Facebook.com/TylerSchoolOfArt.MFA2013

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Africa Imprint: Art from Africa and the Diaspora

twin77_dreamofold
  • Thursday, February 14 to Saturday, April 6, 2013
  • Reception: Second Thursday, Feb. 14, 6 to 9pm
  • Indigo Arts
  • Wednesday - Saturday, 12 - 6:00 pm
  • Free & Open To The Public

More Info: http://indigoarts.com/

Indigo Arts presents a selection of artwork from African and the African diaspora.

The exhibition includes paintings, prints and sculpture by artists from Brazil, Botswana, Cuba, Haiti, Kenya, Nigeria and Tanzania. The exhibit reflects both the diversity of work from the African continent and the rich trans-Atlantic tradition of African descendants in the New World. Featured artists include Xhose Noxo of Botswana, Jose Borges of Brazil, Alejandro Lazo, Manuel Mendive and José Montebravo of Cuba, Gerard, Payas, Prospere Pierre-Louis and Louisiane Saint-Fleurant of Haiti, Cartoon Joseph and George Thairu of Kenya, Yinka Adeyemi and Twins Seven-Seven of Nigeria, and Mohamed Charinda and George Lilanga of Tanzania.

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Walter Dunnington: Rocks

Walter
  • February 14th to March 12th
  • Reception: Second Thursday, February 14th, 6-9pm
  • Archive Space
  • Wednesday – Saturday 12pm-6pm
  • Free & Open To The Public

The series of paintings within this show are all about rocks. Whether stacked or bisected, laid out flat on patios or heating and cooling beneath the earth’s surface, they are an immense source of fascination to me. Through the use of bright colors within my works I sometimes draw the eye away from the rocks to focus on the patterns that exist within their environment. Sometimes the pieces focus on the mortar which binds them. This interest in rocks and their environments is largely due to where I live and work, in Salem NY, at Salem Art Works. The natural environment of Washington County New York, paired with living in the context of an art colony and sculpture park allows me to observe the world around me.

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Victory for Tyler: Victory for All 2013

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  • March 27, 2013 – April 13, 2013
  • Reception: Saturday, April 6, 2013, 6 – 8:00 p.m.
  • Icebox
  • Wed – Sat, 12 – 6 pm
  • Free and Open To The Public

Moore Info: www.alumni.temple.edu/tyler

Victory for Tyler is a biennial exhibition of Tyler alumni work that was founded in 2007 to benefit the Tyler School of Art. 2013 submissions will be juried by Paulina Pobacha, Assistant Curator, Department of Painting and Sculpture, MOMA.

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InLiquid Presents: Benefit v. thirteen

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  • Friday, February 15th: VIP Preview Party: 5 - 6:30pm / v.13 Silent Auction: 6:30 - 9:30pm
  • Crane Arts Building, Icebox
  • Ticket prices listed below

One space. One night a year. One Love: ART.

An exclusive group of jurors from the Philly art scene will select three artists to create limited edition prints for our sponsors and guests:
• Robert Morrison, of The Project Group, and collector
• Jennifer Zwilling, Independent Curator,
and Adjunct Professor at PAFA and Tyler School of Art
• Larry Becker and Heidi Nivling, of Larry Becker Contemporary Art
• Jim Houser, artist and last year’s Juror Pick

Preview and online bidding at www.inliquid.org/auction. More stuff being added daily check back often.

For More info or to purchase tickets please visit InLiquid.org


Friday, February 15, 2013 5 – 6:30 pm
VIP Preview Party and Meet & Greet with Jurors

Admission:
$75 in advance* / $100 at the door (includes admission to the Main Event from 6:30 to 9:30 pm)

The v.13 VIP Preview Party is a more intimate and formal occasion for high-level patrons, collectors, and sponsors, featuring exclusive live entertainment, a meet and greet with the selected jurors, and pre-bidding on all silent auction items. Special Live Performance by Laurent Bass.


Friday, February 15, 2013 6:30 – 9:30 pm
InLiquid v.13 Silent Auction Benefit

Admission:
$40 in advance* / $50 at the door

InLiquid’s Annual Benefit is both a fabulous social happening and a showcase for the works of the region’s premier visual artists. As always, a major feature of our party is the array of art, gift certificates, jewelry, and design items available in a silent auction.

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Surface as Signifier

surface
  • February 14 – March 22, 2013
  • 2nd Thursday Receptions 6-9pm: Thursday Feb. 14 ( 7pm reading by Michael Pollock) / Thursday March 14 (Panel Discussion 4:30pm - 5:30pm)
  • UD@Crane Gallery
  • Wednesday - Saturday 12 to 5
  • Free & Open to the public

Curated by: Peg Curtin and Bruce Garrity

Mellifluous, porous, undulating and otherwise, surfaces serve as visual signifiers. Surface as Signifier examines conceptually abstract works that are slick, transparent, thick, thin, and heavily layered. Process, evidence of touch — or lack of touch — contributes to and shapes the content of this work. Collectively, these contrasting vernaculars point to an open sensibility that continues to limn new narratives in abstract painting.

Surface as Signifier features:

Margery Amdur
Donna Czapiga
Nicole Donnelly
James Erikson
Jim Lee
Anne Seidman
Robert Straight
Leslie Wayne
Douglas Witmer

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I Made This (MIRO Mash Up)

imadethis
  • Feb 3, 2013
  • Performance: Sun, Feb 3, 2:00pm
  • The White Space at Crane Arts Old School
  • Tickets (see link below)

I Made This is a new work created through MIRO’s ongoing Mash Up process. A German ballerina (Irene Klein), a Philly band (Totally Super Pregnant) and Miller Rothlein spend a week together in the studio – then show you their work of epic unpredictability. One performance only.


Tickets: millerrothlein.tix.com
More info: millerrothlein.org

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Tony Rizzi in An Attempt To Fail At Groundbreaking Art With Pina Arcade Smith

tonyrizzi
  • Jan 31-Feb 2
  •  Performances: Thu-Sat, Jan 31-Feb 2, 7:30pm
  • The White Space at Crane Arts Old School
  • Tickets: $20 General Admission / $10 with a student ID or Dance Pass

Philadelphia is ready for the darkly humorous work of German artist Tony Rizzi. An Attempt to Fail At Groundbreaking Art With Pina Arcade Smith, inspired by an unlikely encounter with a group of nuns in Rome, is an uncanny ode to artistic role models Pina Bausch, Penny Arcade, and Jack Smith. Rizzi draws on characters whose underground aesthetics reach for something deeper – fearless and different. Performed by Tony Rizzi and Irene Klein. For mature audiences.

Tickets: millerrothlein.tix.com
More info: millerrothlein.org

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John Cage concert deeply challenging

Full Article @ Philadelphia Inquirer
Tuesday, January 15, 2013
David Patrick Stearns, Philadelphia Inquirer Classical Music Critic

“…At the Crane Arts center in Northern Liberties, JACK Quartet, the best new music group of its kind, played Cage’s Four, Music for Four and Five3. The first piece was a quiet one played in a traditional string quartet configuration; even in a setting where you could seriously listen to it, the piece yielded little to the naked ear. Music for Four was executed with the musicians dispersed among the seating area, and realized with all of the contrasting ideas lacking in the previous work. It was one of the most exhilarating moments in the festival so far.

Five3 also had the quartet dispersed, with the addition of trombonist James Hirschfeld, in a piece examining a range of possible music within extremely narrow bounds, this time utilizing the pitch-bending possibilities of the trombone slide and the violin fingerboard. Unlike much other quiet Cage, this performance was enveloping, prompting the following theory: Perhaps the only way to truly understand any given Cage piece is to perform it yourself – or at the very least, be in the thick of those who do.”

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The Monochrome Sequence ::: Step Two

monochrome
  • January 19, 2013 / Doors at 8PM
  • The Gray Area
  • $15 Admission

Inciting (www.incitingaction.com) presents the second event in The Monochrome Sequence, a series of 16 events that features some of the world’s most forward thinking electronic musicians. The series will culminate in a video documentary.

Live Electronic Sets By:
*Population One [aka Terrence Dixon] [Tresor/Utensil/Metroplex/Thema/Delsin || Detroit]
*westov temple [inciting/Great Circles || Phila]
*Cars Will Burn [Jewish Noise || Phila]
Plus DJ Sets By Lenny Posso [Founder/Owner of Thema Records || Brooklyn]

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Stuart Elster // Peter Krashes

krashes
  • Jan 9 - Feb 2, 2013
  • Reception: TBA
  • Gallery 102
  • By appointment Weds – Sat 12- 6pm, Contact Rebecca Saylor Sack (rsack@uarts.edu)
  • Free & Open To The Public

Curated by Rebecca Saylor Sack

Stuart Elster’s oil paintings on canvas explore abstraction through iconographic manifestations of power. Images in Elster’s work are gleaned from the public domain; appropriating currency (Abraham Lincoln’s cabin embossed on the back of a penny), fashion (the label from a Marc Jacob bag) and war (stock images of warships from WWI and WWII). Constructed through bold strokes of a palette knife, Elster’s richly painted works simultaneously build and subvert the image, questioning the nature of representation and its source.


Stuart Elster work has been exhibited nationally and internationally, including solo exhibitions in New York, Paris and Amherst. Reviews of Elster’s work have been printed in the New York Times, Artcritical, and Kunstforum. Stuart Elster lives and works in New York. 

Peter Krashes’ gouache paintings on paper are an examination and critique of power from personal experience.

Krashes’ paintings are an extension of his work as a community organizer and leader in Brooklyn. The images in Krashes’ paintings are derived from photographs he takes from his public life. The paintings question where power resides; in the building that houses local or federal government, the camera that mediates our view of governance, or the home-made protest signs and children’s painted faces from political rallies.


Peter Krashes’ solo exhibitions include Theodore: Art, Derek Eller Gallery, and Momenta Art. Krashes is a recipient of the Joan Mitchell Foundations Painters and Sculptors Grant. Reviews of his work have been published in the New York Times, Time Out New York, and The New Yorker. Peter Krashes lives and works in New York.

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